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Ruan Lingyu (1910-1935) |
It is well-recorded historical fact that the movie industry thrived in Shanghai in the early 20th century – and much of the popularity was due to the leading ladies, writes Jessica Chen.
While the period of 1920s-30s was the golden age of Shanghai cinema, it was also the era in which actresses ruled supreme.
Whether it be in melodramas, comedies or kungfu movies, the popularity of women lead roles was unprecedented.
Actresses including Li Lili, Ruan Lingyu and Hu Die (Butterfly Hu), portrayed characters ranging from traditional housewives and labor women to prostitutes.
“Many women initially began their career as actress because their husbands were directors,” says Wan Chuanfa, a Shanghai-based PhD student in film studies. “With the help of their husbands, many of them used the opportunity as a stepping stone to fame.”
Actress Li did not have a director husband. Instead she started out as a member of a song and dance troupe where her bright, amicable personality caught the attention of directors who soon cast her in their films.
Born in Beijing, Li – whose original name was Qian Zhenzhen – migrated to Shanghai and went on to become one of Shanghai’s most famous movie stars.
Her vibrant, yet gracefully, personality proved a winner with audiences.
“Li Lili’s personality was very different in that she didn’t play the role of a traditional housewife in movies. She had a sporty, energetic attitude, like in her movie ‘Queen of Sports’,” says Professor Chen Xihe, vice dean of Shanghai University’s Film and Television School.
Li starred in more than 20 films during her career with some of the more popular productions including “The Little Toys” (1933), “The Highway” (1934) and “The Lost Pearl” (1937).
Actress Ruan was one of the most prominent Chinese movie stars of the 1930s and is still regarded as an icon.
Following a humble upbringing as a maid in a rich household, she received her first big break in “Reminiscences of Beijing” (1930) which was a major hit.
“Ruan Lingyu often portrayed herself in her movies,” says Professor Chen. Most of the roles Ruan played featured her as a tender, loving young woman, often caught up in grim situations such as “The Peach Girl” (1931).
It was a tragic love story involving Ruan’s character and a rich landlord’s son whose relationship was not permitted because of their class disparity.
In “Little Toys” (1933) she played a tragic toy-making heroine who loses her son and struggles to compete with imported toys for survival.
“The Goddess” (1934) was a powerful film in which Ruan played a young mother forced into prostitution to support her son’s education. Her performance in “The Goddess” epitomized her eloquent and emotional personality.
As a result of Ruan’s fame, the media was obsessed with her personal life, an obsession which eventually led to Ruan taking her own life at the tender age of 24.
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Hu Die (1908-1989) |
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Butterfly Hu was another famous Shanghai actress renowned among other things for her lead role in China’s first sound film, “Songstress Red Peony” (1931), in which she portrayed a kindhearted wife who endures her husband’s mistreatment.
“Hu Die was known as the empress of movies,” says Wan.
Her versatility showed in the number of different characters she played including maidservant, teacher, and farm girl.
What set Hu apart from many other actresses at that time was she was formally trained, having originally enrolled at the China Film School in 1924.
Like many popular actresses in Shanghai in that era, Hu was also the subject of media obsession, while at one point was forced into a relationship with secret service head, Dai Li.
Unlike Ruan, Hu was eventually able to overcome the slanders of the press and lead a normal life with her husband after Dai passed away.
While Li, Ruan and Hu mostly starred in melodramas, the most popular genre of their time, movies were not limited to depicting women in tragic love stories.
In fact, in the late 1930s movies emerged depicting women as villainous and dangerous.
These wuxia films were mostly based on martial arts novels with women performing martial arts and eventually became quite popular by the early 1940s.
There are many reasons as to why cinema was so big in Shanghai during the 1920s and 1930s, but there remains little doubt much of it had to do with starlets of the silver screen who captivated audiences with their dazzling beauty, talent and mystique.
Soure:http://english.cri.cn/3086/2008/12/08/1221s430745.htm
